![]() The arrangement of the beat is made of the isolated drum hits and other brief instrumental hits from percussion instruments. The timbre is brought about by "the emphasized low end of the kick drum and the presence of the hard-hitting snare drum". The balance of the music tracks are brought together by the prominent kick and snare drum. More modern hip-hop songs are influenced by boom bap and the underlying tone that is common to all songs in the subgenre. The beat has become synonymous with the golden age of hip hop. The first and the third being the kick drum and the second and fourth the snare. The typical boom bap beat will be a loop of quarter notes. KRS-One when describing the beat common to the subgenre states "The vibe of boom bap is to use the least amount of instruments to create the most rhythmic sound". These artists in particular pioneered the subgenre by focusing on the rough elements of a stripped back beat and a strong focus on the lyrics. Where the West Coast hip hop scene displayed elements of smoothness, the East Coast and boom bap focused on hard edges and strong beats. Boom bap was known for its popularity on the East Coast of the US and in particular its roots in New York. These artists believe that the subgenre demonstrates "strength and power" through its harsh-sounding beat and roughness. Notable producers ĭJ Premier and Pete Rock gained notable fame as producers for their work within the boom bap industry. This allowed artists to focus more on their lyrics and the meaning they were trying to convey. The main purpose in using electronic instruments for the production of the music was to take the tedious repetition of the beat out of the creative process. The original artist recognised by the hip hop industry as the first to experiment with these samples in boom bap was DJ Marley Marl. Musical programmers used digital sampling synthesizers to create more complex layers of sampled sounds and multi-layered drumbeats. Some examples of percussion instruments included were shakers, tambourines, bongos, and cowbells. Over time more percussion instruments were added to add to the complexity of the beat. The focus originally was on the simplicity of the beat whereas in later developments of the subgenre electronic samplers and beatmakers were used to generate the iconic beat. The original songs produced within the subgenre used the actual sounds of kick drums and hard-hitting snare drums or samples from vinyl records. The success of the album popularised the term boom bap. The subgenre became increasingly better known when KRS-One released an album under the title Return of the Boom Bap. He states the term was used by the wider hip-hop community as a term to describe all hip hop and the beat that is produced for it. ![]() DJ Premier suggested that boom bap existed before the production of "It's Yours". The term later became a universal name for the subgenre of hip hop as a whole. This was the first recorded onomatopoeic expression of the beat. ![]() T La Rock spoke in an off-script fashion, using the words "boom bap" to mimic the sound of the rhythm. The term boom bap originated in 1984 when it was used by T La Rock to describe the beat of the kick drum and the snare in the song "It's Yours". ![]() Key producers include DJ Premier, Easy Mo Bee, Large Professor, Pete Rock, Marley Marl, J Dilla, Statik Selektah, RZA, Q-Tip, The Alchemist, Daringer, Black Milk, Apollo Brown, 9th Wonder, Havoc, Da Beatminerz, Buckwild, Lord Finesse, Diamond D, and Showbiz. the Rugged Man, Boot Camp Clik, Griselda, Wu-Tang Clan, Jay-Z, Common, A Tribe Called Quest and The Notorious B.I.G. Prominent hip hop artists that incorporated "boom bap" in their music include Craig Mack, Run-DMC, Nas, LL Cool J, Gang Starr, KRS-One, Mobb Deep, R.A. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats, a snappy acoustic snare drum sample on the upbeats, and an "in your face" audio mix emphasizing the drum loop, and the kick-snare combination in particular. The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. Boom bap is a subgenre and music production style that was prominent in East Coast hip hop during the golden age of hip hop from the late 1980s to the early 1990s.
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